Continuing his work with non-actors and on the fringes of society that he started with the creation of Le Rance n’est pas un fleuve (2022), Massimo Dean this time invites writer Jeanne Benameur and musician Laetitia Sheriff to immerse themselves in the long-term creative process of this atypical show, which is written as it is made. A new text with ten life stories on stage, where each one is carried and transformed by the presence of the next. An immersive journey, bursting with poetry, creative force and energy, like a long song of love and gentleness with the goal of a united humanity.
Continuing his work with non-actors and on the fringes of society that he started with the creation of Le Rance n’est pas un fleuve (2022), Massimo Dean this time invites writer Jeanne Benameur and musician Laetitia Sheriff to immerse themselves in the long-term creative process of this atypical show, which is written as it is made. A new text with ten life stories on stage, where each one is carried and transformed by the presence of the next. An immersive journey, bursting with poetry, creative force and energy, like a long song of love and gentleness with the goal of a united humanity.
BIOGRAPHY
> MASSIMO DEAN (France)
Born in Italy and based in Rennes for the last 20 years, actor, author and director Massimo Dean wrote and directed Il crimine lo canta Pier (Italy) and then Il Grande Inquisitore by Dostoevsky in Venice (Italy). In 2006, he directed the French version of Pierre Rivière (Pier chante son crime) at the Théâtre de l’Aire Libre (Rennes) as well as a first reading of Richard III (2007), co-produced by Les Tombées de la Nuit. After Titanic and My against myself (2008), Le pinocchio selon moi and L’inventeur de l’amour (2009), he launched the long-running project on the Blosne district in Rennes finalised by Les tours parlent (2010), Aria (2013), Gigot love (2017) and Un jour de pluie (2019). He is now working on the triptych Un poulpe peuple la ville, dedicated to the fringes and non-actors, with Le rance n’est pas un fleuve (2022) and Nous vous parlons d’amour (2025). Founded in 2003 by Massimo Dean and Fosco Corlianò, the Kali & Co association now has around twenty original creations and experiments, with a focus on contemporary writing.
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