An empty space. An unexpected cast. Nothing seems ready. Anything could happen.
The encounter between audience and performers seems almost accidental. There is no tiered seating, no cushions — just three bearded concert technicians in studded gear moving flight cases around a vast empty space. From this unlikely starting point, director Alice Laloy creates a strange construction site populated by vacuum cleaners, rolling cases and enigmatic leather-clad technicians, with the children invited to become part of the action.
A contemporary tale whose set gradually disappears beneath a wonderfully soft and shaggy covering, À poils invites children — and adults — to look beyond appearances and see things from a different angle, revealing an unexpected tenderness beneath the leather jackets.
An empty space. An unexpected cast. Nothing seems ready. Anything could happen.
The encounter between audience and performers seems almost accidental. There is no tiered seating, no cushions — just three bearded concert technicians in studded gear moving flight cases around a vast empty space. From this unlikely starting point, director Alice Laloy creates a strange construction site populated by vacuum cleaners, rolling cases and enigmatic leather-clad technicians, with the children invited to become part of the action.
A contemporary tale whose set gradually disappears beneath a wonderfully soft and shaggy covering, À poils invites children — and adults — to look beyond appearances and see things from a different angle, revealing an unexpected tenderness beneath the leather jackets.
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